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Miss Any?Ĭheck out C4D Live SIGGRAPH 2018 Rewind : Thanks to Maxon US and, for recording and publishing the 2018 Siggraph Live Cinema 4D Presentations. He finishes the presentation with an overview of the materials and lighting, done with Illustrator, CV-ArtSmart, and Octane.Ġ0:42 Demo Reel 03:02 Nike Zoom Airbag Promo 03:28 Creating the Nike Plastic Shell Sole Element 21:04 Creating the Springy Fabric Effect 34:14 Adding the Springy Fabric Elements to the Plastic Framework 40:18 Setting up Materials using Illustrator, CV-ArtSmart and Octane The effect is incredibly real and flexible. He then uses splines, spline dynamics, and constraints in conjunction with the hair system to create a springy fabric effect. Dean models the plastic shell of the heel and sole of Nike shoes with splines and the Loft generator. He is both the Director at Swivet Studio while also freelancing to various design and motion studios around the world.ĭean’s presentation covers tactile design and simulating fabric in a promo he created for the Nike Zoom Airbag. His unique sense of style and experience attempts to unify the design, technology, and tangible experience. Lastly, Brett uses Redshift Proxies to create a variety of colors on cloned cars.Ġ0:49 Demo Reel 03:51 Carmageddon – Studio Project 04:25 The Creative Process Behind Carmageddon 05:59 Creating the Freeway Rig 19:15 Using Instances for the High-Density Elements 21:02 Variations on the Instances 27:34 Cluster Spline 37:01 Creating Redshift Proxies to Render Cars of Varying Colorsĭean Giffin explores visual communication through a hybrid of mediums. He then uses MoSpline to simplify this source spline, while maintaining the point level animation of the Alembic file. Brett walks you through his process of creating this cluster of turbulent splines which were generated in Houdini and exported as an Alembic model. The end of the Carmageddon short features a tangled web of a freeway, undulating upon itself.
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He then shows how to replace these proxy elements at render time with high density, detailed models using instances. He adds low-poly elements as a basis for the freeway structure. His approach to the project illustrates how you can create a project file that provides a lot of parametric control for creative freedom and workflow efficiency.īrett assembles a freeway rig with simple splines, CV-Chamfer and Xpresso to create a complex freeway rig which can be controlled by a few simple sliders. In this presentation, Brett takes a technical director approach to the creation of “Carmageddon” – a motion graphics project created by and for the studio. For one of her “everyday” pieces, she goes step-by-step through the creation of using primitives, deformations, MoGraph Cloner, GI, Booleans and more.Ġ1:27 Demo Reel 02:24 Creating an American Horror Story Teaser 04:29 Animating a Snake 08:45 Creating the Texture for the Snake 17:15 Creating Drama with Depth of Field 22:37 El Silencio Mezcal Commercial 24:19 Modeling the Mezcal Bottle 29:37 Overview of Bhakti’s “Everydays” Work 30:57 Step by Step Creative Process of a Bhakti “Everyday”īrett Morris: Managing the Carnage of Carmageddonīrett is Creative Director and founding partner of the motion design studio – Ranger & Fox based in Los Angeles.
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Bhakti quickly and easily animates a snake using SplineWrap and Displacement and uses Depth of Field to add a bit of drama.
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She also happens to be addicted to Netflix, bookstores, and nachos.ĭuring her presentation, Bhakti breaks down a teaser she created for American Horror Story, an ad for El Silencio Mezcal and one of her “every day” projects. Her work includes the Emmy-nominated main titles for Vinyl, UI design, and animation for Black Panther, the main-on-end titles for Thor Ragnarok, the Opening Ceremony for the UEFA Champions League Finals and over a dozen commercials and titles. Bhakti Patel: A Three Year Journey in C4Dīhakti Patel is a 3D Animator and Motion Designer.